Timothy McSweeney's Header Image

S H E I L A   H E T I   W E E K :
T H E
F U N D A M E N T A L
R A C E .


BY SHEILA HETI


- - - -

"There is exactly one of everything in the world. A tulip that looks around and finds its position to be lacking some cannot go and become a rose. Do not be afraid to be a rose, Lila. If indeed you are one."

This was part of what he had been saying all morning and trying to impress upon poor Lila: that there are no copycats in nature.

Lila was a terrible student. She looked at the teacher with a face of dubious confusion. Though she knew nothing and learned nothing, she was willing and handed in her essays on time. Her teacher was one of seventeen she had ever had. His name was Mr. Phelps. He lived alone and his wife came to visit him with pies of every nature three times a week. His current project was How To Get It Through Her Head.

"By looking at a rose you do not turn a little more red," he gave as one example. "Loving the song of the bird doesn't give you a more beautiful voice. You are locked in. All humans are locked in. Each human is a species unto itself. Comparing yourself with anyone — even if she is your age and has curlier, blonder hair — is like pitting pigs against toads. You would not pit a pig against a toad, right?"

She showed that she agreed with him on this fine point but did not change her expression, so he was not convinced.

He asked her patiently, "In what situation would you pit a pig against a toad?"

She hated learning.

- - - -

Her mother was a terrible woman and permitted Lila to sit with feet on the table. She let the girl beat her in sports because she just didn't care. Lila never got any better this way, and one of her mother's suitors thought, upon meeting Lila, that she had been born retarded. But she was not retarded; she just hadn't been given the proper care. Of course, she did not accept the proper care. Like all things, she determined the rules of her own existence. Her mother couldn't prevent Lila from being the way she was. But that didn't stop those who knew the situation from criticising her anyway, fundamentally, for letting such a life exist.

- - - -

Lila ordered a bouquet of roses and sat with them at her vanity table and looked at them as though, as her teacher had suggested, they were an alien species. She wouldn't compare them to a bucket of water. She wouldn't compare them to a snail. She liked snails; they had shells they could curl themselves into. Roses had no shells. But roses were romantic.

On her speed-dial princess phone she called up a boy she had met once, several years ago. He had heard from her monthly, sometimes weekly, since they had danced together that one time. Already he was somewhere on his way to becoming a lawyer, if he wasn't a lawyer already. His girlfriend was very sleek and not at all lumpy; a girlfriend to be proud of. She had slick brown hair, not at all the sort of hair that one found on imported dolls.

He was exasperated when he found out it was Lila.

"You sent me roses," she said.

"Can't you tell I can't stand you!!" he cried, in a voice he used with nobody except her. She deserved it. She looked into the receiver and one contained bit of her sobbed uncontrollably at the tone he used, but the rest of her was blank with dumb confusion. She didn't know what to make of it. Who was he again? She put the receiver to her ear and heard a click and then silence. Her tongue lolled out slightly between her teeth as she hung up the phone. She would not pit a cow against a bouquet of roses. Whatever for? The cow would win, surely.

 

 

OTHER McSWEENEY'S STORIES:
- - - -


The Lawn, Part Five By Courtney Eldridge
The Lawn, Part Four By Courtney Eldridge
The Lawn, Part Three By Courtney Eldridge
The Lawn, Part Two By Courtney Eldridge
The Lawn, Part One By Courtney Eldridge

- - - -

MAIN PAGE   |   ARCHIVES

 

Memories of Amanda Davis

 


Red dot denotes content that is new today.

Black dot denotes newish content.

McSWEENEY'S STORE

SUBSCRIBE TO:
McSWEENEY'S
THE BELIEVER
WHOLPHIN

FUTURE McSWEENEY'S BOOKS

THE AMANDA DAVIS HIGHWIRE FICTION AWARD

INVITE A McSWEENEY'S AUTHOR TO SPEAK IN YOUR TOWN OR COLLEGE

THE BEST AMERICAN NONREQUIRED READING

McSWEENEY'S MONTHLY MAILING LIST

McSWEENEY'S-RELATED EVENTS AND VARIOUS TOUR DATES

ORDER INQUIRIES AND ADDRESS CHANGES

SUBMISSION GUIDELINES:
FOR BOOKS
FOR THE QUARTERLY
FOR THE WEBSITE
FOR WHOLPHIN

McSWEENEY'S INTERNSHIPS

CONTACT US

- - - -

LETTERS TO McSWEENEY'S

LISTS

McSWEENEY'S PREDICTS

McSWEENEY'S RECOMMENDS

NEW WHOLPHIN FILM

DAN LIEBERT, VERBAL CARTOONIST

JOKES BY BRIAN BEATTY

REVIEWS OF NEW FOOD

DISPATCHES FROM MOSCOW

SO YOU WANT TO BE PRESIDENT?

DISPATCHES FROM THE ANACOSTIA

THE WINNER'S CIRCLE WITH ERIC FEEZELL

BEN GREENMAN'S FAKE CELEBRITY MUSICALS

DISPATCHES FROM A HUMANITARIAN JOURNALIST

DEB OLIN UNFERTH'S SICK OF THE REVOLUTION

DISPATCHES FROM IRAQ

SHORT IMAGINED MONOLOGUES

PHILIP GRAHAM SPENDS A YEAR IN LISBON

STAINED TEETH: A COLUMN ABOUT WINE

DISPATCHES FROM THE NAPOLEONIC WARS AT THE MET

KEVIN DOLGIN TELLS YOU ABOUT PLACES YOU SHOULD GO IN EUROPE

SONGS OF ENEMIES AND DESERTS: LIVING WITH THE SUDAN LIBERATION ARMY

LAWRENCE WESCHLER'S EVERYTHING THAT RISES: A BOOK OF CONVERGENCES

THE CONVERGENCES CONTEST

ABOUT WHAT IS THE WHAT

ABOUT BOWL OF CHERRIES

ABOUT COMEDY BY THE NUMBERS

ABOUT JOHN BRANDON'S ARKANSAS

ABOUT MICHAEL CHABON'S MAPS AND LEGENDS

ABOUT UNDERGROUND AMERICA

ABOUT DEB OLIN UNFERTH'S VACATION

LETTERS FROM AN EARTH BALL TO, OR CONCERNING, SEAN HANNITY

DISPATCHES FROM ADJUNCT FACULTY AT A LARGE STATE UNIVERSITY

ADVICE FROM A PERSON WITH A BACHELOR'S DEGREE IN PSYCHOLOGY

DISPATCHES FROM THE NBA ENTERTAINMENT LEAGUE

JOHN MOE'S POP-SONG CORRESPONDENCES

B.R. COHEN'S ANNALS OF SCIENCE

INTERVIEWS WITH PEOPLE WHO HAVE INTERESTING OR UNUSUAL JOBS

OPEN LETTERS TO PEOPLE OR ENTITIES WHO ARE UNLIKELY TO RESPOND

DISPATCHES FROM A PUBLIC LIBRARIAN

MICHAEL IAN BLACK IS A VERY FAMOUS CELEBRITY

DISPATCHES FROM ROY KESEY, AN AMERICAN GUY MARRIED TO
A PERUVIAN DIPLOMAT LIVING IN CHINA


STEPHEN ELLIOTT'S POKER REPORT

- - - -

ADDITIONAL MATERIAL