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Just in time for Valentine's Day,
the Guardian in London has
reviewed and raved about
The Secret Language of Sleep.
And, for the rest of the week,
you can buy it for $5!

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SELECTIONS FROM
THE GLOSSARY TO THE
1911 WRITER'S MARKET (Bierce, ed.).

BY MATTHEW DAVID BROZIK

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Agent, n. 1. The writer's fiduciary. 2. The publisher's first line of defense.

Aspire, v. Literally, to breathe; figuratively, to have ambition. The unpublished writer knows them to be the same.

Author tour, n. To the post office for stamps, to the café for espresso, to Mom and Dad for food, to the grandparents for money. . . .

Blues, n. 1. Photographic proofs for the printing plates of others' books. 2. Your perpetual undeserved affliction.

Book, n. A substantial, handsome, bound validation of another writer's effort.

Byline (also by-line; distinction of utterly no practical consequence), n. A publishing device much less familiar to the aspiring writer than the worry line or the unemployment line.

Collection, n. 1. A convenient assemblage of another writer's published works. 2. Your asking your family for donations.

Copyright, n. A law that protects the literary works of an author, only by the violation of which will you see your name in print.

Curriculum vitae, n. Latin for lifelong runaround, describing the writer's literary career.

Deadline, n. 1. The due date for an author's delivery of a completed manuscript to the publisher. 2. A problem you should be so lucky to have.

Draft, n. Finished product.

Editor, n. A mid-level functionary responsible for making sense of otherwise incomprehensible electric tundra suitcase.

Fiction, n. Stories of unagented, unsolicited manuscripts making it into print.

Genre, n. A literary secret society.

Kill fee, n. Remuneration for repudiation.

Literary fiction, x. This term has no definition. No one knows what literary fiction is.

Manuscript, n. Literally, handwriting. Contrast typescript, an unnecessary defacing of otherwise good bond paper.

Mood, n. English has the indicative, the subjunctive, and the imperative. Writers of English have the foul, the aggrieved, the defeated, and that of benighted determination.

Nom de plume, n. How a name is changed to protect the criminal.

Nonfiction, n. The pursuit of turning rumor into a career.

Novel, n. A project for the writer lacking the discipline required by the short story and for the reader without the time for one.

Novella, n. More than a short story, less than a novel, and vice versa.

Poetry, n. Refuge for those without command of punctuation.

Publication, n. Legal notice of the aspiring writer's impending bankruptcy.

Remainder, n. 1. For the published writer, the difference between copies of a book printed and copies sold. 2. For the unpublished writer, the difference between an unfinished manuscript and an unsolicited one.

Revise, v. To return a work-in-progress to the condition it was in some months back, before that great idea.

SASE, n. Abbreviation for self-addresses, stamped envelope, the mechanism by which your work will be returned to you. Whether it takes the article 'a' because it is an acronym or 'an' because each letter must be pronounced causes the aspiring writer no end of grief, in part because the point is not moot.

Self-publishing, n. A phenomenon that, when carried out on paper, represents a great waste of paper.

Show, v. Tell.

Small, adj. Modifying 'story,' indicating greater mercy for one's readership.

Table of contents, n. 1. A list of a manuscript's different included pieces or sections. 2. A detailed warning.

Unsolicited, adj. Yours.

Word, n. The smallest measurable unit of futility.

Workshop, n. The result of ten writers' desperate bargain to give halfhearted criticism of twenty-seven stories of others in return for similar treatment of three of each writer's own.

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OTHER McSWEENEY'S FEATURES:

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Selections from the Glossary to the 1911 Writer's Market (Bierce, ed.) By Matthew David Brozik
Imagining U2's Next Stage By Dan Kennedy
Standards for Grading the Life of an Adjunct Composition Professor By Amy L. Clark
The Police Blotter Shakespeare By Burke Hilsabeck
The Emotional Hokey Pokey By Kate Hahn

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OH MY GAWD: A COLUMN ABOUT A TEENAGER NAVIGATING RELIGION

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YOUR MONEY, YOUR JOB ... YOUR LIFE, WITH ALISON ROSEN

KEVIN DOLGIN TELLS YOU ABOUT PLACES YOU SHOULD GO IN EUROPE

LETTERS FROM AN EARTH BALL
TO, OR CONCERNING, SEAN HANNITY


E-MAILS SENT TO THE UNIVERSITY OF ALABAMA ENGLISH DEPARTMENT
FLAG-FOOTBALL TEAM


TRAVELING EUROPE IN STYLE WITH AUCKLAND DINGIROO,
DARK-AGE TOURIST AND CRITIC OF FOOD AND DRINK


JOHN MOE'S POP-SONG CORRESPONDENCES

INTERVIEWS WITH PEOPLE WHO HAVE INTERESTING OR UNUSUAL JOBS

FLIP: A COLUMN ABOUT SKATEBOARDING

OPEN LETTERS TO PEOPLE OR ENTITIES WHO ARE UNLIKELY TO RESPOND

BEN GREENMAN'S FAKE CELBRITY MUSICALS

DISPATCHES FROM A PUBLIC LIBRARIAN

EXCERPTS FROM THE PANORAMA

SOLUTIONS TO BENJAMIN TAUSIG'S
THREE-DEMENSIONAL CROSSWORD PUZZLE
IN THE SAN FRANCISCO PANORAMA


ABOUT A VERY BAD WIZARD

ABOUT THE WILD THINGS

ABOUT THE CONVALESCENT

ABOUT FEVER CHART

ABOUT GOD SAYS NO

ABOUT ZEITOUN

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