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L Y D I A   D A V I S .

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Biography

Lydia Davis lives in upstate New York and is the author of a novel, The End of the Story (Farrar, Straus & Giroux, 1995), and the short story collections Break It Down (FSG, 1986), Almost No Memory (FSG, 1997), and Samuel Johnson Is Indignant (McSweeney's, 2001). Davis has also translated numerous works of French literature, most recently Proust's Swann's Way (Viking Press, 2003).

She is the recipient of the Whiting Writer's Award (1988), the French-American Foundation Translation Award (1992), a Guggenheim Fellowship, and the Lannan Literary Award (1998). Additionally, Davis was a finalist for the PEN/Hemingway Foundation Award for Fiction and was honored for her translation work with the French Insignia of the Order of Arts and Letters. Most recently, Davis was chosen as a 2003 MacArthur Fellow.

Her work has appeared in many literary journals, including Conjunctions, Harper's, Hambone, Antaeus, The Paris Review, and McSweeney's, and has been collected in the Best American Short Stories of 1997 (edited by Annie Proulx) and the KGB Bar Reader, among others.

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Books

Cape Cod Diary (Belladonna Books, 2003)—out of print

Contributor, Here Lies (Trip Street Press, 2001)

Samuel Johnson Is Indignant (McSweeney's, 2001)

C'est Fini (La Découverte, August 1998)

Blind Date (Chax Press, 1998)

Almost No Memory (Farrar, Straus & Giroux, 1997)

The End of the Story (Farrar, Straus & Giroux, 1995)

Break It Down (Farrar, Straus & Giroux, 1986)

In a House Besieged (Dog Hair Press,1984)

Story, and Other Stories (The Figures, 1983)

Sketches for a Life of Wassill (Station Hill Press, 1981)

The Thirteenth Woman and Other Stories (Living Hand, 1976)

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Translations

Upcoming 2005, translation of Proust's In the Shadow of the Young Girls in Flower, the second volume of In Search of Lost Time, for Viking

Translator, with Norman Cole, Serge Garronsky, and Cole Swensen, Distant Noise by Jean Fremon (Avec Books, 2003)

Swann's Way by Marcel Proust (Viking Press, 2003)

Translator, with John Sturrock, The Life of Henry Brulard by Stendhal (New York Review of Books Classics, 2002)

The Station Hill Blanchot Reader: Fiction and Literary Essays by Maurice Blanchot (Station Hill/Barrytown, 1999)

The One Who Was Standing Apart from Me by Maurice Blanchot (Station Hill/Barrytown, Ltd., 1999)

Translator, XY by Elizabeth Badinter (Columbia University Press, April 1997)

Scratches by Michel Leiris (Johns Hopkins University Press, 1997)

Scraps by Michel Leiris (Johns Hopkins University Press, 1997)

The Rendezvous: A Novel by Justine Lévy (Scribner, 1997)

Hecate by Pierre Jean Jouve (Marlboro Press/University Press, 1997)

Vagadu by Pierre Jean Jouve (Marlboro Press/University Press,1997)

Florviller and Courveal by Marquis de Sade (Libertine Reader, 1997)

No Tomorrow by Vivant Denon (Libertine Reader, 1997)

The Story of a Modern Greek Woman by Abbé Prévost (Libertine Reader, 1997)

On the Education of Women by Choderlos de Laclos (Libertine Reader, 1997)

The Desert World by Pierre Jean Jouve (Marlboro Press/University Press, 1996)

Hélène by Pierre Jean Jouve (Marlboro Press/University Press, 1995)

Aerea in the Forests of Manhattan by Emmanuel Hocquard (Marlboro Press/University Press,1992)

Phantom Life by Daniele Sallenave (Pantheon, 1989)

Tocqueville: A Biography by Andre Jardin, with Robert Hemenway (Farrar, Straus & Giroux, 1988)

The Last Man by Maurice Blanchot (Columbia University Press, 1987)

When the Time Comes by Maurice Blanchot (Station Hill, 1986)

Marie Curie: A Life by Françoise Giroud (Holmes and Meier, 1986)

Zone of Fire by Conrad Detrez (Harcourt Brace, 1986)

The Spirit of Mediterranean Places by Michel Butor (Marlboro Press, 1986)

The Gaze of Orpheus and Other Literary Essays by Maurice Blanchot (Station Hill, 1982)

The Madness of the Day by Maurice Blanchot (Station Hill,1982)

Death Sentence (original title: L'Arret de Mort) by Maurice Blanchot (Station Hill, 1982)

Fantastic Photographs Attilio Colombo and others (Gordon Fraser Gallery, 1979)

China from the 1911 Revolution to Liberation with Paul Auster, by Jean Chesneaux, and Jean and Marie-Claire Bergère (Harvester Press, 1977)

Arabs and Israelis: A Dialogue Between Saul Friedlander and Mahmoud Hussein with Paul Auster (Holmes and Meier, 1975)

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Awards

MacArthur "Genius" Grant, 2003

ALA Notable Book of the Year, 2001, Samuel Johnson Is Indignant

Village Voice Favorite Book of the Year, 2001, Samuel Johnson Is Indignant

Lannan Literary Award, 1998

Guggenheim Fellowship, 1998

Voice Literary Supplement 25 Favorite Books of 1997, Almost No Memory

Los Angeles Times 100 Best Books of 1997, Almost No Memory

Fund for Poetry Award, 1992

French-American Foundation Translation Award, 1992, Rules of the Game I: Scratches by Michel Leiris

National Endowment for the Arts Fiction Grant, 1989

Whiting Foundation Writer's Award, 1988

PEN/Hemingway Award finalist, 1987, Break It Down

National Endowment for the Arts Grant for Translation, 1981

French Insignia of the Order of Arts and Letters, 1999

Ingram Merrill-Foundation Grant for Fiction, 1977, 1986

The Pushcart Prize: Best of the Small Presses, 1978, 1989, 1990, 1991, 1992

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Press and Interviews

October 2003
St. Louis Post-Dispatch (MO)
Review: Swann's Way, Translated from the French, New Translation Conveys Proust's Style and Words
By Roland A. Champagne
"Translation is not a science but an art. Lydia Davis, however, is an artist with a heightened sensitivity to Proust's use of assonance, alliteration, punctuation choices and word selection."

September 2003
Publishers Weekly
Interview and Review: Another Look at M. Swann
By Amy Boaz
"It is a herculean task to rewrite a 20th-century classic, but having done notable translations of such French stylists as Maurice Blanchot, Michel Leiris and Pierre Jean Jouve, Davis is used to putting aside her own voice for the long, painstaking effort."

September 2003
Library Journal Reviews
Review: Swann's Way, Translated from the French
By Mark Andre Singer
"'For a long time, I went to bed early'—in order to enjoy the manifold pleasures of reading Davis's excellent new translation of Swann's Way."

July 2003
Publishers Weekly Reviews
Review: Swann's Way, Translated from the French
"Relax: it's fantastic."

July 2003
The Guardian (London)
Rereadings: A woman in love: Melvyn Bragg takes issue with the view of Proust's Odette as fickle and shallow
By Melvyn Bragg
"One good reason to re-read the first volumes of In Search of Lost Time is the new translation by Lydia Davis..."

July 2002
Kirkus Reviews
Editors
New York Writes After September 11
"A collage of responses to September 11, both original and reprinted, from the city with the highest concentration of literati in the world."

Feb. 2002
Creative Loafing (GA)
Review
Editors
"Davis' strongest stories are those that examine a character with such penetrating insight that it's almost unsettling."

2002
Flakmag.com
Review: Samuel Johnson Is Indignant
By Rumaan Alam
"Her diction is crisp and meticulous without feeling calculated or chilly. Her more narrative works follow plots that are clearly comprehensible and often quite sweet. Her references, whether musical or literary or relating to any of the other aspects of the culture in which Davis is seemingly so well versed, aren't particularly arcane and even when they are don't feel contrived for the sake of being 'difficult.'"

December 2001
The New York Times
Review: Samuel Johnson Is Indignant
Editors Choice
"Very brief stories that exploit the mental stuff of daily life..."

December 2001
The Philadelphia Inquirer
Review: Samuel Johnson Is Indignant
By Michael Harrington
"What makes a story for Davis is not just the machinery of the plot and the interactions of the characters (though many of her stories have both), but what goes on around the words: the act of reading, the knowledge the reader brings, the action of the reader's imagination."

November 2001
Citypages (MN)
Review: Samuel Johnson Is Indignant
The Passing from Person to Person of an Oversized Chair

By Marcela Valdes
"The author of five collections of stories and the novel The End of the Story, Davis writes fiction that is marvelously sharp and witty."

October 2001
The Village Voice
Review: Samuel Johnson Is Indignant
Grammar of Discontent

By Michael Miller
"...Davis continues to match her gift for clarity with an unruly inquisitiveness that transforms mundane topics into hilariously meticulous philosophical moments."

1997
BOMB magazine
Interview
By Francine Prose
"I always liked clarity and simplicity and balance. All rhythms can be seductive. I was attuned to the music of language as well as the music of music. Learning another language when I was seven probably made me hyperconscious of language..."

Smokebox.net
My Fluent Mundo
The ordinary preoccupations of Lydia Davis

By Kristina Eldredge
"I wasn't a full-fledged fan of Lydia Davis until I saw her read—then the artistry of her writing was revealed to me."

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Additional Links

New York Review of Books archive for Lydia Davis

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MAIN PAGE | ARCHIVES

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Memories of Amanda Davis

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