A Convergence
of Convergences:
A Contest.
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For more information
about this contest,
click here.
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Contest Winner No. 4.
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This Is Not an Ad.
By Jimmy Chen
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Tokyo Akasaka-Mitsuke Station, Boss advertisement (2002)
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Marcel Duchamp, L.H.O.O.Q. (1919)
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René Magritte, The Treason of Images (1928-29)
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A mustache and a pipe—two icons of surrealist painting (Duchamp's treatment of Mona Lisa in L.H.O.O.Q. and Magritte's infamous play on semiotics in The Treason of Images, respectively) are "painted" on a young Asian woman with dyed blond hair. The thick black Sharpie pen is not the gesture of some graffiti artist but of the advertisers, as the black scrawl is embedded in an ad that mimics the logo of its product, a coffee drink. It would have been easy to tape an actual fake (never mind the paradox) mustache on the woman and stick a pipe in her mouth during the photo shoot, but the graffiti-like subsequent adornments resonate so much more. They empower the viewer. It's as if we, standing on the platform waiting for the cringing metal worm, are holding the black pen in our own hands. Palpability is power.
"L.H.O.O.Q." when mouthed in French comes out elle a chaud au cul, or, in English, "She has hot ass." We all know Magritte's Ceci n'est pas une pipe, or "This is not a pipe." Between semantics and semiotics is a blind world. These words have a way of doing things to us. The tongue is the mind's bastard. I wonder what "Boss" in Japanese is.
I imagine Duchamp and Magritte, those magicians of meaning, standing on the subway platform. A little laugh, a quick wink, I think might transpire. And what about Leonardo himself? Is it he behind that wondrous face smiling at us? Can lips wink? Is he wearing a wig? Ah, those guys. They could get off at Shibuya, the heart of Tokyo's commercial district, ride the escalators upward and enter the world of advertising signs—the artifice of artifacts, blinking.
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Weschler Responds.
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Another nice catch, nicely explicated. The only thing I would add here, regarding those Japanese ads in the first place, is how, bizarrely and quite conspicuously, "Ceci n'est pas une femme japonnaise."
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OTHER WINNERS.
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1. Evolving, Evolved by Charlie Hopper
2. Primal Forces, Basic Colors by Andy Hunter
3. The End of the Beginning by Holly Dunsworth
Intermezzo by Lawrence Weschler
5. Catskills Vagina by Dan Clem
6. The Antipodes by Chris Zic
7. Self-Made Constriction by Sam Gaskin
8. We Are the Son by Danny Erker
9. Painfully Unaware by Dan Park
10. Gutshot by Jason Torchinsky
Weschler's Second Interlude
11. Love and War by Kim Wood
12. Inside and Out There by Lena Webb
13. The March by Emily Marvosh
14. Feminine Divine Triptych by Margit Christenson
15. Time's Deliberate Convergence by Steve Denyszyn
16. A Rousseau/Hirshfield Convergence by Adam Webb
Beirut/Warsaw by Lawrence Weschler
17. Clothesline Raising Over Carlisle, Indiana by Charlie Hopper
Carnival of Convergences
Weschler's Fourth Interlude
Aftersquib to the Foregoing
18. Pelvises All the Way Down by John Peter Rickgauer
19. Ovary Night? by Maya Muñoz
20. Christ in Space by Jonathan Shipley
A Pair of Convergences Off of Tina Barney
Another Carnival of Convergences
21. Moral Confusion: Iraq, Munich, and Vietnam by Donald Rumsfeld
22. Seeing the Tree for the Forest by Walter Murch
An Addendum to the Foregoing, and a Visitor Challenge
23, 24, and 25. Far Out by Michael Benson, Brian Christian, and Walter Murch
26. Jewish Bunk Beds by Monica S. Bland
Those Damn Swedish Trees, Take 3: Convergence of the Blogs
27. Degenerate Boogie-Woogie by Lisa Lee
Carnival of Convergences No. 3
28. Sand and Moon by Alison Cornyn
Actaeon: An Ovidian Impromptu by Lawrence Weschler
29 and 30. Hoods and Veils by Vero Testa and Lauren Redniss
The Onion/Bickle Convergence by Lawrence Weschler
31. The Lone Figure Against the Armored Swarm by Michele Siegel
32. Muscle and Flow by Benjamin R. Cohen
An Addendum to the Foregoing: Cities, Brains, Orchestras by Lawrence Weschler
Saint and Princess by Lawrence Weschler
Beauty Queen and Baghdad Hummer by Lawrence Weschler
Carnival of Convergences No. 4
Laughing, Clapping, Constantly Forgetting: A Trill of Readerly Associations by Lawrence Weschler
33. Lithographica by R.A. Villanueva
34. Papal Fire (Papa Lux) by Nick Feia
Addendum to "Laughing, Clapping ..." and, More Specifically, to the Stalinist-Applause Anecdote by Lawrence Weschler
35. Disseminations: Internet, Dandelions, Flight Paths by Sarah Daegling
36. Black and White and in Color by Walter Murch
Carnival of Convergences No. 5
Lee Friedlander's Visionary Trees: An Addendum to the Last Chapters of Everything That Rises by Lawrence Weschler
37. Shipwrecked Desperation by Charles Mudede via Matt Haber
38. Life Forms by Ariel Winter
MORE ABOUT EVERYTHING THAT RISES