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Perfect for Mother's Day: the Baby Be of Use series or The Secret Language of Sleep.

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Reluctant Sestina.

BY SHARON DOLIN

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 It's never a breeze to begin in the middle
 of things, though more of a tease to end when just start-
 ing. To get down on your knees for such a project? 
 Better to read and lunch, put up your feet
 and wait in your chemise for the mail to come, forget
 all other burdens, reasons, strivings, tramp-

 le them. After failing to fail tramp
 off to a bookstore (your modern grail) in the middle
 of middle age you've come to this formal jail to forget
 what you might otherwise have start-
 ed. And in this line there now flail five dull feet. 
 Don't derail your reader, instead project

 your voice, your mind, like an out-of-focus you project-
 ed on a screen, while rhymes as on a tramp-
 oline bounce from line to line on feet
 as unsteady as the half-blind taste of middle-
 brow readers. In a bind, Don't get me start-
 ed
, you'll opine, as with repetends you sink into forget-

 fulness. But once you've gone this far, forget
 going back or giving up as your son shoots project-
 iles at you for fun that make you start
 up from your chair (he's already on the run), tramp
 into his getaway room, slip on a crayon in the middle
 of the floor, and spy under the bed a pair of feet

 sticking out. And is it cheating if I switch from feet
 to feat, from you to I? Would you, impatient reader, find forget-
 table (now that we've beaten the middle) 
 if I slipped up on the project
 introduced mistakes that might tramp-
 le this already bumpy form so you'd be start-

 led? How many hyphenated words to start
 or end a line? Would you stamp your feet (at such a feat)? 
 and walk away? A poem about nothing: no tramp, 
 no dame or dude in distress except the poem to forget? 
 Who wouldn't be bored by such a project? 
 Perhaps you're undeterred by no middle in the middle. 

 Now, let's both forget this project
 and trample under our feet
 what was never middle but ended at the start! 

 

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