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Now available for preorder:
The San Francisco Panorama
.

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dark fossils
enough to sing
of dotted orchids.

BY CAMILLE MARTIN

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 like a child in the prairie dark
 dreaming of buried fossils
 when others perceive only dots,
 the shade of a lizard's tail is enough
 to liberate the colors and sing
 of aluminum cans and orchids.

 "the sky is so blue," said the orchid,
 "but i will soon be gone like the dark
 floral chambers of which i sing
 and of which my drunken fossil
 in the failing light will never see enough
 on the horizon of expanding dots."

 like illuminated puzzles, shiny boats dot
 the river, listing with the fervor of the orphan orchid,
 shaking loose their barnacled anchors while enough
 delectable panic spreads into dark
 nests of fragmented lullaby fossils
 that swab the unborn deck as they sing.

 hearkening to what the colors on a rare stamp sing,
 i rock drunken babies with pinwheels, dodging dots.
 tombs with one space more and an inside-out fossil
 sleep like the death of an orchid,
 as my eyes wander in a clarion place in the dark
 library of kudzu. the horniness was never enough,

 but you were always enough,
 baby, to make me sing,
 applying your vision, dark
 and steep, to these dots
 of double orchid
 and to the present fossil

 before anyone discovered the starry fossil
 of the history of radios. i will never have enough
 songs of infinite orchid
 as before you now and living i sing
 with reddish tones and glass carnation dots.
 and as the sound of a clarinet pierces the dark,

 i remember you, orchid, as i sing
 of the fossil of the inner shell and enough
 dots corner the inscrutable and resonant dark.

 

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