bill-cosby

Selections From the Cosby Codex: Selection 8: Contemporary American Political and Social Allegory in The Cosby Show or How Cliff Huxtable Learned to Suffer and Long for the Bomb

Selections From the Cosby Codex: Selection 7: Love and Death on Stigwood Avenue; or The Huxtables and the Gift of Death; or, for That Matter, Toward a Vision of The David Crosby Codex

Selections From the Cosby Codex: Selection 6: Interlude: The Trauma of “The Dentist,” New Perspectives, and Something of a Manifesto of Cosby Studies

Selections From the Cosby Codex: Selection 5: On “The Dentist,” The Satanic Agency of Dr. Burns, Dr. Burns as Postmodern Renaissance Man, Worshipping the Clinic and Rudy’s Hetero-Ontological Superconciousness, Part One

Selections From the Cosby Codex: Selection 4: Viewing The Cosby Show Between (and Through) the Textual Gaps or Why is there Only One Television in the Huxtable Household?

Selections From the Cosby Codex: Selection 3: Seven Ways of Theorizing Theo Huxtable

Selections From the Cosby Codex: Selection 2: Cliff Huxtable and His Problems, or The Superb Otherness of Cliff Huxtable

Selections From the Cosby Codex: Selection 1: Ontological Ruptures and Worlds Under Erasure: The Cosby Show as Postmodern Narrative

Bill Cosby’s Unused Dialogue as the Voice of King Kong During the Final Confrontation on Top of the Empire State Building in Peter Jackson’s King Kong

Comedic Variations On Three Themes